dooo wee oooooo

tamorapierce:

aliasofwestgate:

justira:

Reblogging not just because special effects are cool but because body doubles, stunt doubles, acting doubles, talent doubles — all the people whose faces we’re not supposed to see but whose bodies make movies and tv shows possible — these people need and deserve more recognition. We see their bodies onscreen, delight in the shape and motion of those bodies, but even as we pick apart everything else that goes on both on and behind the screen, I just don’t see the people who are those bodies getting the love and recognition they deserve.

We’re coming to love and recognize actors who work in full-body makeup/costumes, such as Andy Serkis, or actors whose entire performances, or large chunks thereof, are motion captured or digitized (lately sometimes also Andy Serkis!). But people like Leander Deeny play an enormous part in making characters such as Steve Rogers come to life, too. Body language is a huge part of a performance and of characterization. For characters/series with a lot of action, a stunt person can have a huge influence on how we read and interpret a character, such as the influence Heidi Moneymaker has had on the style and choreography of Black Widow’s signature fighting style. Talent doubles breathe believability and discipline-specific nuance into demanding storylines.

Actors are creative people themselves, and incredibly important in building the characters we see onscreen. But if we agree that they’re more than dancing monkeys who just do whatever the directors/writers say, then we have to agree that doubles are more than that, too. Doubles make creative decisions too, and often form strong, mutually supportive relationship with actors.

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Image 1: “I would like to thank Kathryn Alexandre, the most generous actor I’ve ever worked opposite.”

Image 2: “Kathryn who’s playing my double who’s incredible.”

[ Orphan Black's Tatiana Maslany on her acting double, Kathryn Alexandre, two images from a set on themarysue, via lifeofkj ]

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I’ve got a relationship that goes back many, many years with Dave. And I would hate for people to just see that image of me and Dave and go, “oh, there’s Dan Radcliffe with a person in a wheelchair.” Because I would never even for a moment want them to assume that Dave was anything except for an incredibly important person in my life.

[ Daniel Radcliffe talking about David Holmes, his stunt double for 2001-2009, who was paralysed while working on the Harry Potter films. David Holmes relates his story here. Gifset via smeagoled ]

With modern tv- and film-making techniques, many characters are composite creations. The characters we see onscreen or onstage have always been team efforts, with writers, directors, makeup artists, costume designers, special effects artists, production designers, and many other people all contributing to how a character is ultimately realized in front of us. Many different techniques go into something like the creation of Skinny Steve — he’s no more all Leander Deeny than he is all Chris Evans.

But as fandom dissects the anatomy of scenes in ever-increasing detail to get at microexpressions and the minutiae of body language, let’s recognize the anatomy in the scenes, too. I don’t mean to take away from the work Chris Evans or any other actors do (he is an amazing Steve Rogers and I love him tons), but fandom needs to do better in recognizing the bodies, the other people, who make up the characters we love and some of our very favourite shots of them. Chris Evans has an amazing body, but so does Leander Deeny — that body is beautiful; that body mimicked Chris Evans’s motions with amazing, skilled precision; that body moved Steve Rogers with emotion and grace and character.

Fandom should do better than productions and creators who fail to be transparent about the doubles in their productions. On the screen, suspension of disbelief is key and the goal is to make all the effort that went into the production vanish and leave only the product itself behind. But when the film is over and the episode ends, let’s remember everyone who helped make that happen.

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[ Sam Hargrave (stunt double for Chris Evans) and James Young (stunt double for Sebastian Stan, and fight choreographer), seen from behind, exchange a fistbump while in costume on the set of Captain America: The Winter Soldier. Image via lifeofkj ]

I applaud these guys as much as the suit actors in my japanese tokusatsu shows. They do just as much work. 

Hat’s off to them, and my thanks for all they do.

qrieves:

Someone probably took a bite out a bar of soap for this aesthetic so let’s take a moment to thank

qrieves:

Someone probably took a bite out a bar of soap for this aesthetic so let’s take a moment to thank

ju5t4n3rd:

so yeah schools coming up and that sucks but you know what else is coming up? ugly sweaters and scarves and PUMPKIN SPICE LATTES AND HALLOWEEN AND CUDDLING BECAUSE ITS COLD AND FALL LEAVES AND HIKING IN THE BRISK AIR AND THEN AFTER THAT SNOW AND HOT COCOA AND MALLS DECORATED FOR HOLIDAYS AND FRICK SCHOOL ALL OF THIS IS WORTH IT WOWIE

southerncalcosette:

Historically Correct Cosette Dresses

  1. Victoria Granlund
  2. Rebecca Caine
  3. Fabienne Guyon
  4. Reidun Sæther
  5. Rebecca Caine
  6. Julie Benko
  7. Rebecca Caine
  8. Karenssa LeGear
  9. Talia del Val

(These are just some of the costumes I have come across recently that I find historically accurate. Historians and costume designers have a hard time pin pointing fashion in 1832 because it was between two big fashion changes and during war time.)

urbanfuck:

urbanfuck:

urbanfuck:

anal sneezes are cute as shit

sorry iphone the word i was looking for was “animal” sneezes better luck next time

image

this is not what i want to be remembered for

i-eat-men-like-air:

john oliver is really not fucking around 

seashellsandpastels:

trynottodrown:

SeaWorld could be in trouble because of “Granny,” the world’s oldest known living orca. The 103-year-old whale (also known as J2) was recently spotted off Canada’s western coast with her pod — her children, grandchildren and great-grandchildren. But while the Granny sighting is thrilling for us, it’s problematic for SeaWorld.
First of all, SeaWorld has claimed that “no one knows for sure how long killer whales live,” when simple figures or even living and thriving examples — like Granny — can give us a pretty good idea. The Whale and Dolphin Conservation project estimates that whales born in captivity only live to 4.5 years old, on average; many of SeaWorld’s orcas die before they reach their 20s. Perhaps because of their reduced lifespans, the whales are forced to breed continuously and at perilously young ages, which could also diminish their overall health.
Another key aspect of an orca’s life — which is missing in captivity — is the ability to swim up to 100 miles per day. When Granny was spotted earlier this week, she had just finished an 800-mile trek from northern California along with her pod. According to animal welfare advocates, long-distance swimming is integral to orcas’ psychological health and well-being; SeaWorld, however, has gone on record claiming that orcas do not need to swim hundreds of miles regularly, ostensibly to defend the parks’ cruel practice of keeping massive, powerful orcas confined to cramped tanks.
Since Granny was first spotted (as early as the 1930s), she’s believed to have mothered two calves, who in turn have had calves of their own. (One of her grandchildren, Canuck, reportedly died at the age of 4 after being captured and held at SeaWorld). As her pod has grown, Granny has kept up with them — without being separated through human intervention — and traveled astonishing distances with her pod annually. Orcas at SeaWorld are routinely separated from their pods, which has been known to cause huge mental and emotional strain and can prevent calves from developing normally.
Granny doesn’t simply represent an impressive feat of nature; she embodies what’s wrong with SeaWorld by being a living example of what’s right in the wild. While it’s true that most wild orcas don’t live as long as Granny has, their lifespans are still dramatically longer than those of SeaWorld’s whales (the NOAA estimates that wild female orcas, like Granny, live an average of 50 to 60 years). Their lives are also filled with much more swimming, exploration, variety and bonding with family — in other words, their lives are likely filled with much more joy.
SeaWorld and marine parks profit off keeping orcas and other marine animals in captivity — despite evidence that captivity not only induces unnatural behaviors in whales, but also endangers trainers. Join us in pledging never to visit SeaWorld or other marine parks until they empty their orca tanks.
(source)

FUCK SEAWORLD THO

seashellsandpastels:

trynottodrown:

SeaWorld could be in trouble because of “Granny,” the world’s oldest known living orca. The 103-year-old whale (also known as J2) was recently spotted off Canada’s western coast with her pod — her children, grandchildren and great-grandchildren. But while the Granny sighting is thrilling for us, it’s problematic for SeaWorld.

First of all, SeaWorld has claimed that “no one knows for sure how long killer whales live,” when simple figures or even living and thriving examples — like Granny — can give us a pretty good idea. The Whale and Dolphin Conservation project estimates that whales born in captivity only live to 4.5 years old, on average; many of SeaWorld’s orcas die before they reach their 20s. Perhaps because of their reduced lifespans, the whales are forced to breed continuously and at perilously young ages, which could also diminish their overall health.

Another key aspect of an orca’s life — which is missing in captivity — is the ability to swim up to 100 miles per day. When Granny was spotted earlier this week, she had just finished an 800-mile trek from northern California along with her pod. According to animal welfare advocates, long-distance swimming is integral to orcas’ psychological health and well-being; SeaWorld, however, has gone on record claiming that orcas do not need to swim hundreds of miles regularly, ostensibly to defend the parks’ cruel practice of keeping massive, powerful orcas confined to cramped tanks.

Since Granny was first spotted (as early as the 1930s), she’s believed to have mothered two calves, who in turn have had calves of their own. (One of her grandchildren, Canuck, reportedly died at the age of 4 after being captured and held at SeaWorld). As her pod has grown, Granny has kept up with them — without being separated through human intervention — and traveled astonishing distances with her pod annually. Orcas at SeaWorld are routinely separated from their pods, which has been known to cause huge mental and emotional strain and can prevent calves from developing normally.

Granny doesn’t simply represent an impressive feat of nature; she embodies what’s wrong with SeaWorld by being a living example of what’s right in the wild. While it’s true that most wild orcas don’t live as long as Granny has, their lifespans are still dramatically longer than those of SeaWorld’s whales (the NOAA estimates that wild female orcas, like Granny, live an average of 50 to 60 years). Their lives are also filled with much more swimming, exploration, variety and bonding with family — in other words, their lives are likely filled with much more joy.

SeaWorld and marine parks profit off keeping orcas and other marine animals in captivity — despite evidence that captivity not only induces unnatural behaviors in whales, but also endangers trainers. Join us in pledging never to visit SeaWorld or other marine parks until they empty their orca tanks.

(source)

FUCK SEAWORLD THO

beedrilf:

beedrilf:

The last time I sought funds for surgery (which obviously did not happen), it was because my savings had been depleted by my son’s medical issues. Now, I have more time to save but my expenses have nearly doubled and any help is appreciated. I have put my own needs to the side in order to better serve my family but this is something that is rapidly becoming unbearable. 

As I did last time, I am more than willing to offer my writing talents or work out any other type of trade. Just message me and we can work something out. 

IF THIS GETS TO 2000 NOTES I WILL DO A GIVEAWAY FOR EVERYONE WHO REBLOGS IT AND GIVEAWAY MY PS3 AND THE MASS EFFECT TRILOGY

jingle22:

Me in my Nui cosplay  from Kill La Kill. This was so fun to wear and I really like how it turned out. Can’t wait to have a shoot :P

Pictures my Manny Llanura

neptunain:

heteronormativity for dummies or, “why homophobes aren’t the only problem”